Spring at Kibbutz Be’eri (2024)
Oil on canvas, 150 x 120cm




Witness (2019)
Acrylic and paper on plywood, binoculars, 270 x 350cm





Hostage (2025)
Charcoal, pastel and gold leaf on plywood, 37 x 29 cm




Landscape (2016)
Charcoal on paper, 58 x 73 cm





Nova III (2024)
Pencil on paper, 31 x 36 cm




Taking up space I (2016)
Mixed media on paper, 49 x 52 cm

Nova (2024)
Oil on linen, 120 x 150 cm
In memory of Shiraz and Adir Tamam, Naji and Gal Abdoush, Shir Georgie, Sean Davitashvili, Keshet Casarotti and Dvir Rahamim





Triptych (2025)
Oil and gold leaf on plywood, 138 x 242 cm
In memory of Keshet Casarotti and Shani Louk





Triptych (2025)
Oil and gold leaf on plywood, 138 x 242 cm 
In memory of Keshet Casarotti and Shani Louk





Nova IV (2025)
Mixed media on paper, 55.8 x 78.1 cm





Desert (2024)
Mixed media on paper, 88 x 70 cm




Theory of relativity I (2016)
Mixed media on paper, 50 x 51 cm

Mina Kupfermann

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“How should art respond to horror? Should the horror be reflected back to us? Can art compete with the hyperreal word/image-saturated social media platforms that bludgeon us every minute of the day, where truth and reality have become so manipulated and distorted by warring narratives that it becomes a near-impossible task to seek the truth, to discern between what is real and what is fake, what is sincere or authentic and what is artificially generated to create a lie? ...” Read full text by Manick Govinda


“When they are enraged at having to live in the ordinary world, people who feel they deserve the womb-comforts promised by nostalgia, and who can't become the grown-ups of their memories who just lived and had no use for Eden; they want to look upon the face of the selfish, who block the road for us all, to the good life. ...” Read full text by David Hirsh
 

“To our knowledge, no other art exhibition in the UK has responded to Hamas’s atrocities with such compassion and empathy for the 1,100 murdered by antisemitic terrorism carried out in the name of Palestine. Instead, we have seen large parts of the art world indirectly support or ignore the massacre of October 7th. Within weeks, publicly funded UK arts organisations issued statements in support of Palestine – while remaining silent on Hamas’s murderous pogrom. Some must be held accountable: ...” Read full article by Manick Govinda and Mina Kupfermann


“A very impressive exhibition curated by Manick Govinda and Mina Kupfermann… impressive enough that it shouldn’t go into storage for long.” Watch full discussion with Alistair Donald


© Mina Kupfermann 2026